PR / Kostka Gallery / Xavier Poultney: Transient Objects
GALLERY KOSTKA
presents
the exhibition
XAVIER POULTNEY (UK):
TRANSIENT OBJECTS
curator: Karina Pfeiffer Kottová
opening: 6. 3. 19.00
exhibition duration: 6. 3. – 30. 3. 2014
The exhibition Transient Objects by the emerging
British artist Xavier Poultney is an investigation into the evolution of
knowledge and the cultural ramifications of technology, inspired by a
scientific endeavor called the SDSS. The Sloan Digital Sky Survey is a detailed
three-dimensional digital mapping of the universe visible from its base in New
Mexico. In Kostka Gallery, Poultney exhibits photographs and objects that
investigate the progression of ideas from the local Native American Indian
understanding of reality to the cutting edge present.
We sit here on Earth and gaze up at the stars. We try
to count them, draw lines in between them, and group them. Feeling like we
might eventually get closer to the transcendental by trying to measure it,
using the most progressive scientific methods to grasp it. But on the other
hand, we can't help but create horoscopes and mythologies, as if we couldn't
stand the fact that those glowing objects might just be physical phenomena
loosing their charm in a laboratory environment. Drawing a line between one of
the most ambitious projects in contemporary astronomy and the perhaps more
“naive”, but at the same time thoughtful and complex investigations of the
Native Indians, Xavier Poultney's exhibition creates an intriguing tension-
that of a respected scientist who wouldn't get very far without keeping his
childish curiosity, or, that of a philosopher who longed to present an
objective proof for the existence of God.
The works on display go beyond mere documentation of a
scientific project juxtaposed to observations of the same reality through
tribal rituals and symbols. Poultney undertook a long-term research project in
New Mexico, Seattle, and Washington D.C. in order to create a body of work
which balances between playfulness, physical perfection, and attention to
detail. In his set of photographs, the artist mixes imagery from the scientific
procedures and tools used within the SDSS project, petroglyphs or other
examples of early art to be found in New Mexico and his own observations of the
surrounding landscapes and skies. One of the exhibited sculptures is based on a
shape of the visually striking aluminum disc, a component from an instrument
used for the digital mapping. Thousands of tiny holes, in practice intersected
by optical fibers, correspond to the objects in the night sky. Despite its complex
nature, the disc holds somewhat touching personal marks of the scientist's
interaction with it. The second sculpture is based on the aesthetics of
meteorological equipment crossed with head costumes of the Apache, which were
used in rituals believed to control the weather or other environmental
elements. Through his installation, Poultney makes a good point about the
duality of human nature: our longing for discovery is as strong as our
fascination by mystery. We are driven to create complex systems of thought, but
at the same time we are constantly thrilled by the unexplainable, somewhat
childish or irrational. We sit here on Earth and think about buying land on the
Moon.
Xavier
Poultney (1983) is a British photographer and
sculptor. Through his works, he addresses the intersection of science,
technology and cultural or ritual artifacts. He received his MA in
Communication Art & Design at the Royal College of Art in London, and
currently collaborates with the Space in Between Gallery in London. Along with
the United Kingdom, he has shown his work in Košice (Tri Outputs), Paris
(Glitch Fiction) and Athens (The Hub).
Supported by the Czech Center in London.
Open daily 1pm – 8pm
Voluntary admission fee
Guided tours and workshops for schools or other groups
are available upon request.
Contact and more information:Petr Hrubeš - PR and Marketing
petr@meetfactory.cz
+
420 602 367 552
Karina Pfeiffer Kottová - Curator
karina@meetfactory.cz
+
420 732 464 434
MeetFactory is supported in
2014 by a grant from the City of Prague amounting to 6.500.000 CZK.